BANDITALIANA in quartet
AUDIO REQUIREMENTS 2014
P.A.: a professional, high quality system, (EV series x array, xi, xlc, x-line; D&B; Meyer; Nexò; Vdosc,
d-V-Dosc..) according to the room size; should be actively crossovered ( 3 or 4 ways ) and
powered by matched, high quality amps .
Should be flown where possible; if not, stacked on risers out of stage. The system should be in
Stereo configuration; an indipendent output to feed the subs should be provided where possible; balcony,
frontfill and delayline speakers should be installed where necessary and precisely delayed.
F.O.H. MIXING DESK: high quality 24 inputs + stereo fx returns, 6 aux sends pre-post, 4 band eq fully
parametric (or with semiparametric mid + 2 shelving), adjustable lo cut, VCA groups (Crest century VX,
V12; Midas H.. ; Soundcraft five….). We prefere an anologue consolle; digital consolle only where monitors
are driven by a separate mon desk. NO 01, 03, Beheringer digital. F.O.H. position should be centrally located
– if possible not under balcony – no behind a window! Provide a talkback mic to stage monitors.
F.O.H. OUTBOARDS: 1 high quality 31 band graphic eq; 3 fx units (Spx 990, PCM 70, 80, 90…);
6 channels high quality compression ( Dbx, Bss, Drawmer…); 1 cd player.
Line delays and separate equalizers where front fill, delays and balconies are installed.
MONITORING: high quality 24 inputs, 4 band eq fully parametric or semiparametrics mid + 2 shelving,
adjustable lo cut. 2 channels of compression, 1 FX unit, 4 indipendent mixes available, 4 high quality 31
bands graphic eq inserted in outputs, 5 small sized, lo profile wedges, (5 on stage and 1 at monitor mixer
position) with 12” woofer (or Nexò PS 10), powered by high quality matched amps.
Where a monitor mixer is provided, an experienced monitor engineer should be available during stage set up,
sound check and show.
Where a monitor mix is not provided, f.o.h. desk must be capable of 4 equalized pre aux sends (monitors)
and 4 post aux sends (fx)
MICROPHONES / D.I.: check input list; this is the main choice; equivalent mics are acceptable.
STAGE: minimum 8×6 (meters) available for the band. Must be safely reachable. No unnecessary objects
should be on stage. We need 2 armless chairs .
SOUND CHECK: At least 1 hour and 15’
ch n. |
input |
mic/d.i. |
stand |
Insert |
Notes |
|
1 |
Kick low |
Beta91/SM57 |
no |
Comp |
Artigianal wood kick |
|
2 |
Kick High |
Beta91/SM57 |
no |
|
Artigianal wood kick |
|
3 |
Kalimba |
Countryman/AKG c519 |
clip |
Comp |
|
|
4 |
Darbuka |
EV408/SM57 |
Small |
|
|
|
5 |
Tom |
EV408/beta56 |
Small |
|
|
|
6 |
Djembè |
EV408/SM58 |
Tall |
|
|
|
7 |
Tabla |
Akc c414/EV408 |
Small |
comp |
|
|
8 |
Cajon rear |
Beta91/Sennh.421 |
Small |
Cajon rear |
|
|
9 |
O.H. |
Shure SM 81/cond |
Tall |
|
|
|
10 |
O.H. |
Shure SM 81/cond |
tall |
|
|
|
11 |
“Dupont” gtr |
Active d.i. box |
|
|
|
|
12 |
“Godin”gtr |
Active d.i. box |
|
|
|
|
13 |
Organetto r.hand |
Shure beta57/beyerd TG201 |
Small |
comp |
|
|
14 |
Organetto lo |
Xlr + 48 v. |
clip |
Mic provided by musician |
||
15 |
Sax soprano |
Xlr + 48 v. |
clip |
Mic provided by musician |
||
16 |
Sax alto |
Xlr + 48 v. |
clip |
Mic provided by musician |
||
17 |
Sax baritono |
Xlr *220 volt |
radio |
Mic provided by musician |
||
18 |
G.Biolcati vocal |
SM 58/Beta58a |
Tall |
Comp |
2th voice |
|
19 |
M.Geri vocal |
SM 58/Beta58a |
tall |
Comp |
Lead vocal |
|
20 |
R.Tesi vocal |
SM 58/Beta58a |
tall |
|
annoncement |
|
21 |
C.Carboni vocal |
SM 58/Beta58a |
Tall |
annoncement |
More informations about this technical rider:
Claudio Carboni +393356619638 info@claudiocarboni.com.com
STAGE PLAN
BACK LINE
1 Drumset with Cymbal Set, Hardware, Drumthrone, Carpet
1 Cajon
1 Djembe with Stand
1 Darbuka
1 Bariton sax (professional)