BANDITALIANA

Technical requirements

BANDITALIANA in quartet
AUDIO REQUIREMENTS 2014
P.A.: a professional, high quality system, (EV series x array, xi, xlc, x-line; D&B; Meyer; Nexò; Vdosc,
d-V-Dosc..) according to the room size; should be actively crossovered ( 3 or 4 ways ) and
powered by matched, high quality amps .
Should be flown where possible; if not, stacked on risers out of stage. The system should be in
Stereo configuration; an indipendent output to feed the subs should be provided where possible; balcony,
frontfill and delayline speakers should be installed where necessary and precisely delayed.
F.O.H. MIXING DESK: high quality 24 inputs + stereo fx returns, 6 aux sends pre-post, 4 band eq fully
parametric (or with semiparametric mid + 2 shelving), adjustable lo cut, VCA groups (Crest century VX,
V12; Midas H.. ; Soundcraft five….). We prefere an anologue consolle; digital consolle only where monitors
are driven by a separate mon desk. NO 01, 03, Beheringer digital. F.O.H. position should be centrally located
– if possible not under balcony – no behind a window! Provide a talkback mic to stage monitors.
F.O.H. OUTBOARDS: 1 high quality 31 band graphic eq; 3 fx units (Spx 990, PCM 70, 80, 90…);
6 channels high quality compression ( Dbx, Bss, Drawmer…); 1 cd player.
Line delays and separate equalizers where front fill, delays and balconies are installed.
MONITORING: high quality 24 inputs, 4 band eq fully parametric or semiparametrics mid + 2 shelving,
adjustable lo cut. 2 channels of compression, 1 FX unit, 4 indipendent mixes available, 4 high quality 31
bands graphic eq inserted in outputs, 5 small sized, lo profile wedges, (5 on stage and 1 at monitor mixer
position) with 12” woofer (or Nexò PS 10), powered by high quality matched amps.
Where a monitor mixer is provided, an experienced monitor engineer should be available during stage set up,
sound check and show.
Where a monitor mix is not provided, f.o.h. desk must be capable of 4 equalized pre aux sends (monitors)
and 4 post aux sends (fx)
MICROPHONES / D.I.: check input list; this is the main choice; equivalent mics are acceptable.
STAGE: minimum 8×6 (meters) available for the band. Must be safely reachable. No unnecessary objects
should be on stage. We need 2 armless chairs .
SOUND CHECK: At least 1 hour and 15’

ch n.

input

mic/d.i.

stand

Insert

Notes

1

Kick low

Beta91/SM57

no

Comp

Artigianal wood kick

2

Kick High

Beta91/SM57

no

 

Artigianal wood kick

3

Kalimba

Countryman/AKG c519

clip

Comp

 

4

Darbuka

EV408/SM57

Small

 

 

5

Tom

EV408/beta56

Small

 

 

6

Djembè

EV408/SM58

Tall

 

 

7

Tabla

Akc c414/EV408

Small

comp

 

8

Cajon rear

Beta91/Sennh.421

Small

Cajon rear

 

9

O.H.

Shure SM 81/cond

Tall

 

 

10

O.H.

Shure SM 81/cond

tall

 

 

11

“Dupont” gtr

Active d.i. box

 

 

 

12

“Godin”gtr

Active d.i. box

 

 

 

13

Organetto r.hand

Shure beta57/beyerd TG201

Small

comp

 

14

Organetto lo

Xlr + 48 v.

clip

 

Mic provided by musician

15

Sax soprano

Xlr + 48 v.

clip

 

Mic provided by musician

16

Sax alto

Xlr + 48 v.

clip

 

Mic provided by musician

17

Sax baritono

Xlr *220 volt

radio

 

Mic provided by musician

18

G.Biolcati vocal

SM 58/Beta58a

Tall

Comp

2th voice

19

M.Geri vocal

SM 58/Beta58a

tall

Comp

Lead vocal

20

R.Tesi vocal

SM 58/Beta58a

tall

 

annoncement

21

C.Carboni vocal

SM 58/Beta58a

Tall

 

annoncement

More informations about this technical rider:
Claudio Carboni +393356619638 info@claudiocarboni.com.com

STAGE PLAN

BACK LINE

1 Drumset with Cymbal Set, Hardware, Drumthrone, Carpet
1 Cajon
1 Djembe with Stand
1 Darbuka
1 Bariton sax (professional)


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